TGIF lovers!!! I am so glad its Friday!! It has been a busy week!
I hope you're all ready for your TV fix this week because I have my favorite TV friend Michelle back today for another round of TV Talk.
SO sit back & lets talk TV
We are lucky to be in an age where there is so much great TV
content. So why watch TV the same old way you always have? Well, you don't have
to! Let's talk about TV!
Quality
I watch about 30 shows on TV over the year (shut it). Not
all at the same time or season, my DVR would explode and I'd never leave my
house again. I watch mostly cable shows- meaning shows on FX, AMC, Showtime,
and HBO. (Cable shows are 13
episodes as opposed to broadcast shows [ABC, NBC, CBS, Fox] which are 24
episodes a season.) 13 episodes translates to faster and tighter
story lines, less wheel spinning, and better quality.
Why better quality, you
might ask?
Let me paint you a picture….Can you imagine how long it takes to
come up with 24 stories, write 24 scripts, rewrite 24 scripts after the network
executives give notes, film 24 episodes, then edit them down to 22 minutes? If
a broadcast show produces 24 high quality episodes that entertain week in and
week out that moves the plot along…the writers deserve a fucking medal. And a
coma length nap. And for all that hard work slaving away on broadcast networks-
not a SINGLE broadcast show was nominated for the Emmy's last month. Not one.
Because the broadcast model doesn't turn out the best programming. Cable does.
Breaking All the
Rules
The FCC can't regulate cable like they can on broadcast.
That mean the characters can employ…"colorful language", have sex,
show gore, be crass- talk how we actually talk in real life. (Violence isn't everyone's cup of
tea, that’s fine. That's not all cable has to offer.)
Creators have more
control over their shows and less input from the network executives. Do you
want to watch a show written by creative storytellers who have been honing
their craft for years all in the name of producing something entertaining…or do
you want to watch a show carefully monitored by a middle aged white dude who
has a business and finance degree who's worried the show's "racy
content" might scare away the conservative affiliates in Utah or scare off
the soda company who doesn’t want their beverage associated with a certain
show? That's rhetorical. Obviously, you want the former.
Content Growth and
Trust
Since 2010, ABC has launched around…30-35 dramas (other networks do too, but I'm using
ABC as an example). They cancelled over 20 of them after or DURING their
first season (GCB, Pan Am, 666 Park are just three.) I no longer watch ABC because I do not
trust ABC (especially after they canned Happy
Endings). It's not fair to the cast/crew of the show and it's not fair to
the audience (us) to buy and promote a show, shoot and air episodes, then take
it away without a conclusion. That's not fair. I spent time watching that, I
talked about last week's cliffhanger with all my friends, I want to know how it
ends!! But that's life on broadcast.
(Moment of silence please: RIP many
shows.)
Cable lets stories progress organically and they give them a
second for a new show to get its "sea legs". Broadcast has the money,
but won't risk it on a creative jump. It sucks. Right now, ABC's Sunday night
line-up is shows with the same name: Revenge
and Betrayal. (They also have Scandal- this is saying nothing of
content or quality, this is pointing out that the network might want to expand
their ideas a little…a LOT)
Now What?
Now more than ever, you can watch TV on almost any device,
whenever you want, on SO many channels!
Netflix tried its hand in original content this year and
it's phenomenal!
Orange is the New Black
is wonderful
House of Cards is sexy
and sordid,
I'm beyond grateful to have Arrested
Development back in my life.
FX launched The
Americans this year, and while it's weird watching Felicity kick a guy's
face in, it's a really great sexy and suspenseful period show about the Cold
War. It also has the crazy, campy miniseries American Horror Story (which reboots every season, so it's nothing
that requires catch up). I haven't even mentioned Sons of Anarchy (hello, Christian Grey) or Justified.
BBC America has brought us the 'clonetastic' Orphan Black which I literally cannot
recommend enough (one woman, seven characters, hairstyles, accents, and
mannerisms?! A+ acting showcase). The beautifully filmed and wonderfully acted Broadchurch brings us a new twist on a
murder in a small sea side town.
Showtime brings us Homeland,
Masters of Sex, and my personal
favorite, Shameless. And there are NO
commercials. We get 50+ minutes of awesome, uninterrupted story telling! What's
not to love?
If you missed Breaking
Bad's breathtaking run, catch it all on Netflix.
Seriously, there's only 62
episodes. That's nothing to marathon.
I guess what I'm trying to say is mix it up. We don't have
to watch the Big 4. There's more and better content available. It's out there
and it's so easy to find and watch. Fall TV season is upon us, so I implore you
to maybe pass on a few broadcast shows in favor of a better and creative and surprising cable show.
(*There are
some great shows on broadcast: The Good
Wife, Hannibal, Scandal, Parenthood among them. I'm adding this because I
don't want to throw a blanket over all broadcast dramas.)